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These prints are marked "EA" (instead of number) as they are the very last prints of this motif to be made!
Please note that these prints marked "EA" have the same value as the numbered prints. Some collectors prefer prints with numbers, others collect EA or HC because there are fewer of these (10 were made with the marking "HC").
Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.
Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Lowland Sunset - Ole Ahlberg