Giclée Prints

• 

  My name is Kate - Jules Holland

  Width: 55 / Height: 70

  EUR 547,00

  In stock

  Motif: 60 x 45 cm
  Artprint: 70 x 55 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
  Kate Moss, born on January 16, 1974, in London, England, is one of the most iconic models in modern fashion history. Her career began in the mid-1990s, and since then, she has had a significant influence on the fashion world and pop culture at large.
  
  Moss's exquisite beauty and unique allure made her an immediate sensation in the fashion world. She became famous for her slender figure, sharp facial features, and natural elegance, making her a favorite choice for fashion photographers, designers, and advertising campaigns worldwide.
  
  In the 1990s, Moss became the embodiment of the so-called "heroin chic" aesthetic—a style characterized by a slim and pale appearance that broke away from earlier, more traditional and polished model ideals. Her ability to wear clothing in a way that exuded both rawness and refinement made her a muse for many of the leading designers and photographers of the time.
  
  Kate Moss's influence extends far beyond the world of fashion. She has been a style icon for generations of young women and has set trends in everything from clothing and makeup to hair and accessories. Her personal style, which combines a blend of bohemian, rock 'n' roll, and classic elegance, has inspired countless fashion enthusiasts around the globe.
  
  In addition to her modeling career, Kate Moss has also found success as a businesswoman and designer. She has launched several successful collections in collaboration with various brands and has evolved into a significant force in the fashion industry.
  
  While Moss has had her share of controversies and challenges throughout her career, her influence and status as one of the fashion world's most iconic figures remain undisputed. Her enduring presence on the catwalk, in magazines, and on social media testifies to her ongoing relevance and power to inspire both contemporary and future generations.
• 

  My name is Kim - Jules Holland

  Width: 55 / Height: 70

  EUR 547,00

  In stock

  Motif: 60 x 45 cm
  Artprint: 70 x 55 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
  Kim Kardashian is an American media personality, socialite, model, businesswoman, and actress, born on October 21, 1980, in Los Angeles, California. She first gained public attention as a close friend and stylist to Paris Hilton, but she later became widely known for her own reality television series, "Keeping Up with the Kardashians," which premiered in 2007.
  
  As the daughter of the late attorney Robert Kardashian and Kris Jenner, Kim Kardashian grew up in the spotlight. However, it was her savvy use of social media and her ability to capitalize on her fame that propelled her into superstardom. She has built a vast empire encompassing various business ventures, including fashion lines, beauty products, mobile apps, and fragrance collections.
  
  One of Kim's most notable business ventures is her cosmetics line, KKW Beauty, which has seen tremendous success since its launch. She has also ventured into shapewear with her brand SKIMS, which has gained widespread popularity for its inclusive range of sizes and skin tones.
• 

  My name is Lady Gaga - Jules Holland

  Width: 55 / Height: 70

  EUR 547,00

  In stock

  Motif: 60 x 45 cm
  Artprint: 70 x 55 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
  Lady Gaga, born Stefani Joanne Angelina Germanotta on March 28, 1986, is an American singer, songwriter, actress, and activist. She rose to prominence in the late 2000s with her avant-garde approach to music, fashion, and performance art, establishing herself as one of the most distinctive and influential figures in contemporary pop culture.
  
  Gaga's musical journey began in New York City's underground club scene, where she honed her craft and developed her signature style. She gained widespread attention with her debut album, "The Fame," released in 2008, which spawned hits like "Just Dance" and "Poker Face." Known for her eclectic blend of pop, dance, and electronic music, Gaga's songs often explore themes of self-empowerment, individuality, and inclusivity.
  
  What sets Lady Gaga apart is not only her musical talent but also her extravagant stage presence and avant-garde fashion sense. Renowned for her elaborate costumes, daring hairstyles, and theatrical performances, she pushes boundaries and challenges norms with her artistry.
• 

  My name is Marilyn - Jules Holland

  Width: 55 / Height: 70

  EUR 547,00

  In stock

  Motif: 60 x 45 cm
  Artprint: 70 x 55 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
  Marilyn Monroe, born Norma Jeane Mortenson on June 1, 1926, in Los Angeles, California, was an iconic actress, singer, and model whose life and legacy continue to captivate audiences worldwide. Despite a challenging upbringing marked by instability and foster care, Monroe rose to become one of the most enduring symbols of beauty, sensuality, and Hollywood glamour.
  
  Monroe's journey to fame began in the late 1940s when she embarked on a career in modeling. Her stunning looks and charisma quickly caught the attention of photographers and filmmakers, leading to her breakthrough in the film industry. With her signature blonde hair, voluptuous figure, and breathy voice, Monroe became the epitome of the classic American sex symbol.
  
  Throughout the 1950s and early 1960s, Monroe starred in a string of successful films, including "Gentlemen Prefer Blondes" (1953), "The Seven Year Itch" (1955), and "Some Like It Hot" (1959). Her on-screen presence, comedic timing, and undeniable charm endeared her to audiences, making her one of the biggest box-office draws of her time.
  
  Behind the glamorous facade, Monroe grappled with personal struggles, including bouts of depression, anxiety, and a tumultuous love life.
  Tragically, Monroe's life was cut short on August 5, 1962, when she was found dead at her Los Angeles home at the age of 36. Her untimely death sparked speculation and conspiracy theories, but her legacy as an enduring cultural icon only grew in the years that followed.
  
  Beyond her cinematic achievements, Monroe's influence extended into fashion, art, and popular culture. Her image continues to be celebrated and imitated, symbolizing beauty and the allure of fame.
• 

  Mystères de la Nature - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Mystery Mountain - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Nature Valante - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  A calm scene with a small, dense tree centrally placed in the landscape. In front of the tree, a narrow path winds through green grass, where small flowers and spots of color break up the muted tones. In the background, a lake can be discerned, reflecting the sky’s light blue hues and creating depth and tranquility within the motif.
  In the foreground, Tintin is seen walking along the path together with Snowy. Their clear outlines and caricatured style stand in sharp contrast to the more painterly, atmospheric landscape. Overall, the image conveys a sense of stillness, contemplation, and journeying. The contrast between the serene nature and the comic-like figures gives the motif a poetic and gently ironic expression, where fantasy and reality merge in a quiet moment.
  
• 

  Nina er gået i bad - Jeg spiser ostemad - Tine Helleshøj

  Width: 60 cm / Height: 60 cm

  EUR 320,00

  In stock

  A new colourful giclée-print from Tine Helleshøj filled with exciting patterns and hand applied gold leaf details.
  
  Nina er gået i bad - Jeg spiser ostemad
  60 x 60 cm
  Edition: 50
  Numbered and signed by the artist
  
• 

  No Trespassing - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  No Trespassing - Ole Ahlberg
• 

  On Stop - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  
  
• 

  On the Beach - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  On the Floor - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 620,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  On the Road - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  On the Stairs - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  This brand new Ole Ahlberg art print is somewhat more cool and edgy than the previous ones in the form of the gloomy, blurred background and a smoking rock chic in front with a tattoo of Tintin and Captain Haddock in free fall.
  
  Are you looking for a statement piece? Then this art print might just be for you.
  
  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Orange Sky - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Pale Moon - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
• 

  Palm Beach Baby - Tine Helleshøj

  Width: 60 cm / Height: 83 cm

  EUR 373,00

  In stock

  A new colourful giclée-print from Tine Helleshøj filled with exciting patterns.
  83 x 60 cm
  Edition: 50
  Numbered and signed by the artist
  
• 

  Paparazzi II - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg has created a universe where the baroque vanitas symbols, such as peeled lemons, hourglasses, unlit candles, and skulls, have been replaced by a more contemporary repertoire. The most obvious difference being between things and people from the “real” world contra comic strip characters. His many scantily-clad women, swans, porcelain objects, and clouds are painted in a very convincing life-like manner while the comic strip characters, mainly taken from Hergés’ Tintin, are painted with a clearly defined outline that makes them appear flat on the canvas. A difference that is almost tangible.
  
  If Ole Ahlberg’s principles of composition have changed, his motifs have essentially stayed the same: it is mostly still about eroticism. Being a very sophisticated artist, he never allows the pictures to become too lewd or carnal in nature, but somehow he finds a way to get the viewer, to a great extent, to create the suggestive stories. Eroticism is usually also just a pretext for political commentary and a deeper epistemological investigation. In this respect Ole Ahlberg prefers the black humor and mysteriousness of Magritte than the theatricality and surrealism of Dalí.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Pericoloso - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Pink Sky II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Plaything III - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Plaything IV - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Playtime - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Promenade Forestiére - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Promenade Forestiére by Ole Ahlberg.
  This beautiful new art print is perfect for spring! Do you also enjoy going for walks and seeing nature flourish? Tintin and Terry seem to do just that.
  
  The print is numbered and signed by Ole Ahlberg
  Sheet size: 61x50 cm
  Framed dimensions: 72x60 cm
  
  
  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  
• 

  Rainy Day - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Reader's Club (2018) - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Rebel Rebel - Raymond Stuwe (small)

  Width: 50 cm / Height: 75 cm

  EUR 800,00

  In stock

  Portrait of Freddie Mercury. Freddie Mercury, born Farrokh Bulsara on September 5, 1946, in Zanzibar (now part of Tanzania), was a legendary singer, songwriter, and the charismatic frontman of the iconic rock band Queen. Renowned for his extraordinary vocal range, flamboyant stage presence, and captivating performances, Mercury remains one of the most celebrated and influential figures in the history of popular music.
  
• 

  

  Red River Rafting - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
• 

  Reflex - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Representation - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Research - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Resting - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Rock ‘n Roll Spirit (Elvis Presley) - Jules Holland

  Width: 57 / Height: 73

  EUR 547,00

  In stock

  Full size: 73 x 57 cm
  Motif: 60 x 45 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
• 

  

  Rocket Dreams - Ole Ahlberg

  EUR 480,00

  In stock

  Only sold framed (with art glass and a black wooden frame), which is included in the price.
  
  The composition plays with the contrast between the idealized and the naïve, between fantasy and reality. A small, humorous symbol within the painting adds a satirical layer and emphasizes the work’s ironic tone. Overall, the image explores the relationship between viewer and artwork, between desire and innocence, and between high art and popular culture.
  
  
  'Rocket Dreams' by Ole Ahlberg
  Without frame: 34 x 30 cm
  With frame: 45 x 40,5 cm
  Numbered and signed by Ole Ahlberg
  Edition: 50
  
• 

  Room 905 - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.
  
  
• 

  Royal Danish II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Royal Danish III - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
  
  
• 

  Rune Christensen - Indifference

  Width: / Height:

  EUR 240,00

  In stock
• 

  Rune Christensen - Plants

  Width: / Height:

  EUR 400,00

  In stock
• 

  Rune Christensen - Unknown portrait

  Width: / Height:

  EUR 240,00

  In stock
• 

  Seascape - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Sightseeing V - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Sightseeing VI - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Silent Moon - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Silent Sea - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Sirens - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
• 

  Skagen - Dreamcity

  Width: 50 cm / Height: 70 cm

  EUR 334,00

  In stock

  An art print full of beautiful colors and patterns!
  
  Dreamcity
  Without frame: 70 x 50 cm
  Numbered and signed by the artist
  
• 

  

  Skagen - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  A new, delightful summer motif! The contrast between the realistic figures and the cartoon-like character creates a playful atmosphere and gives the image a satirical edge. Overall, the motif radiates summer, freedom, and sensuality, combined with an ironic distance where fantasy and reality meet in a single moment.
  
• 

  

  Smoke in the Waitingroom - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  The scene in this new artwork shows Tintin and his dog Snowy placed side by side with rugged sailors in a dimly lit room, while a mysterious woman in a black dress and high heels stands before them, holding a cigarette and a cane. What might have happened before this moment? And what will happen next?
  
• 

  

  Smooth Water - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  A soulful and poetic work by Ole Ahlberg, where Tintin is once again placed in a universe that balances between the familiar and the dreamlike.
  
  The motif depicts Tintin alone in a rowboat on calm waters, surrounded by an almost infinite horizon and a sky filled with soft clouds in delicate shades of gray, blue, and golden light. The simple composition and serene colors emphasize a feeling of silence, reflection, and perhaps a touch of melancholy.
  
  The contrast between Tintin’s iconic comic-book style and the painterly, realistic landscape creates a unique and timeless expression. The work invites the viewer to reflect on themes such as solitude, adventure, and the human search for meaning.
  
  A piece with great symbolic power – perfect for collectors of modern art, Ahlberg enthusiasts, and anyone seeking a conversation piece with both tranquility and depth.
  
  
  
• 

  Snake Hands - Hans Henrik Fischer

  Width: 70 / Height: 90

  EUR 670,00

  In stock

  'Snake Hands'
  Hans Henrik Fischer
  Giclée-print
  90 x 70 cm
  Edition: 35
• 

  Soft Paint - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  
• 

  

  South Beach Sunset - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
• 

  South Sea - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Starman’s Indigenous Soul (David Bowie) - Jules Holland

  Width: 57 / Height: 73

  EUR 547,00

  In stock

  Full size: 73 x 57 cm
  Motif: 60 x 45 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
  Embracing the spirit of David Bowie through a unique lens, this artprint reimagines the iconic figure as a Native American. A fusion of cultures and creativity, it’s a tribute to Bowie’s transcendent impact and the richness of indigenous heritage.
  
  David Bowie, born David Robert Jones on January 8, 1947, in London, was an iconic singer, songwriter, actor, and one of the most influential figures in 20th-century popular culture. Bowie was known for his unique ability to reinvent himself and create a range of musical personas that captured the public's imagination and challenged conventions in the music world.
• 

  Starstruck - Ole Ahlberg

  EUR 480,00

  In stock

  Only sold framed (with art glass and a black wooden frame), which is included in the price.
  
  'Starstruck' by Ole Ahlberg
  Without frame: 34 x 30 cm
  With frame: 43 x 40 cm
  Numbered and signed by Ole Ahlberg
  Edition: 125
  
  
• 

  Strange Days - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Submission - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Television - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  It is, however, also interesting that eroticism in Ole Ahlberg’s paintings is rarely spelled out for you. In one of the best Tintin paintings we see the young journalist incredulously regarding a red space rocket (from “Destination Moon”) placed under the skirt of a beautiful woman. Ole Ahlberg only presents us with a gaping Tintin, a rocket, and a woman’s lower body, thus enticing the observer to become a co-creator by conjuring up the erotic exploit from his/her own subconscious. Here the artist draws on the age-old truth that the most sex-fixated people on earth are the puritans, who can find sexual references in even the most innocent motifs. All because they refuse to acknowledge their own sexual urges. And for exactly that reason Ole Ahlberg has the whole Tintin-group after him with an army of lawyers trying to figure out a way to get the better of this impertinent Dane who is so impudent as to exercise his freedom of artistic expression.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works. hehm.
  
• 

  The Balcony in Phu Quoc - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Big Catch - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Boat - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Boat II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Boat III - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  The Curtain - Ole Ahlberg

  EUR 480,00

  In stock

  Only sold framed (with art glass and a black wooden frame), which is included in the price.
  
  'The Curtain' by Ole Ahlberg
  Without frame: 34 x 30 cm
  With frame: 43 x 40 cm
  Numbered and signed by Ole Ahlberg
  Edition: 50
• 

  The Day After II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Escape - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Experts - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Fight - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 620,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Girl and the Beast - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
• 

  The Horse - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  The Long Way Back - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
• 

  The Mirror II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Pool - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Queen - Raymond Stuwe (small)

  Width: 50 cm / Height: 60 cm

  EUR 667,00

  In stock

  In 1952, at the age of just 25 years old, Elizabeth II took the throne. Her reign of 70 years and 214 days was the longest of any British monarch and the longest verified reign of any female head of state in history.
  As a queen, Elisabeth certainly had power, but she also showed strength through her domestic and international leadership; she led the UK through its recovery from World War II, through several economic crises and a pandemic.
  
  Sold with frame which is included in the price.
• 

  The Red Room - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Rescue - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
• 

  The Secret - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  The Spectator - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
• 

  The String - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Swim - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  The Swim - Ole Ahlberg
• 

  The Window - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  The Winner - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 620,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Tinder - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
• 

  Tracks - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
• 

  Traveling - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Traveling Light - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Twilight - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Vertigo - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  View Point - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Violent Intensions - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Voyeur - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  A quiet, atmospheric scene by a lake in muted blue and green tones. In the foreground, a nude woman painted in a naturalistic style. Tintin and Snowy stand partially hidden behind a tree, gazing curiously at the woman. The tree, with its long, drooping branches, frames the scene and lends the image a slightly melancholic, dreamlike quality.
  The contrast between the realistic, vulnerable female figure and the caricatured Tintin creates a clear tension within the motif. At the same time, the image balances the calm of nature with a subtle sense of humor or irony, where innocence, curiosity, and the role of the viewer intertwine in a poetic moment.
• 

  Waking Up - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Walk in the Park - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Walking the Dog - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  
  
• 

  When the Boat Comes In - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  White Room - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  Wildlife - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
• 

  

  Year of the Dragon - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  With this motif, Ole Ahlberg was inspired by Chinese New Year. Each Chinese New Year is linked to a particular animal, and 2024 is the Year of the Dragon. According to Chinese astrology, the dragon is a symbol of strength, luck and prosperity.
  
• 

  Zona Verte - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.