Free delivery^*Does not include framed pieces

Giclée Prints

Television - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

It is, however, also interesting that eroticism in Ole Ahlberg’s paintings is rarely spelled out for you. In one of the best Tintin paintings we see the young journalist incredulously regarding a red space rocket (from “Destination Moon”) placed under the skirt of a beautiful woman. Ole Ahlberg only presents us with a gaping Tintin, a rocket, and a woman’s lower body, thus enticing the observer to become a co-creator by conjuring up the erotic exploit from his/her own subconscious. Here the artist draws on the age-old truth that the most sex-fixated people on earth are the puritans, who can find sexual references in even the most innocent motifs. All because they refuse to acknowledge their own sexual urges. And for exactly that reason Ole Ahlberg has the whole Tintin-group after him with an army of lawyers trying to figure out a way to get the better of this impertinent Dane who is so impudent as to exercise his freedom of artistic expression.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works. hehm.
The Balcony in Phu Quoc - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Big Catch - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Boat - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Boat II - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Boat III - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Day After II - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Escape - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Experts - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Fall - Ole Ahlberg
Width: 56 cm / Height: 67 cm
EUR 880,00

In stock

The Fall by Ole Ahlberg.

Lithograph printed in 29 colors, edition of 120. The lithograph is signed and numbered by the artist, printed by Atelier Clot, Paris, 2021 - A lithographic workshop that has existed since 1896. Today the workshop is run by Christian Bramsen and Morten Brunholt.

Sheet size: 67x56 cm.

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Fight - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 620,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Horse - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Mirror II - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Pool - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Queen - Raymond Stuwe (small)
Width: 50 cm / Height: 60 cm
EUR 667,00

In stock

In 1952, at the age of just 25 years old, Elizabeth II took the throne. Her reign of 70 years and 214 days was the longest of any British monarch and the longest verified reign of any female head of state in history.
As a queen, Elisabeth certainly had power, but she also showed strength through her domestic and international leadership; she led the UK through its recovery from World War II, through several economic crises and a pandemic.

Sold with frame which is included in the price.
The Red Room - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Rescue - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Secret - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The String - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Swim - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

The Swim - Ole Ahlberg
The Window - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
The Winner - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 620,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Through the Door - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

Not in stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Tokyo Nights - Ole Ahlberg
Width: 30 cm / Height: 34 cm
EUR 480,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.
Tracks - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock
Traveling - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Traveling Light - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Twilight - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Vertigo - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
View Point - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Violent Intensions - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Waking Up - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Walk in the Park - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Walking the Dog - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock
When the Boat Comes In - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
White Room - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Wildlife - Ole Ahlberg
Width: 50 cm / Height: 61 cm
EUR 800,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
Zona Verte - Ole Ahlberg
Width: 60 cm / Height: 71 cm
EUR 880,00

In stock

Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values together without overconstructing it.

Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.

Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.