Giclée Prints

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  Nina er gået i bad - Jeg spiser ostemad - Tine Helleshøj

  Width: 60 cm / Height: 60 cm

  EUR 320,00

  In stock

  A new colourful giclée-print from Tine Helleshøj filled with exciting patterns and hand applied gold leaf details.
  
  Nina er gået i bad - Jeg spiser ostemad
  60 x 60 cm
  Edition: 50
  Numbered and signed by the artist
  
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  No Trespassing - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  No Trespassing - Ole Ahlberg
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  On Stop - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  
  
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  On the Beach - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  On the Floor - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 620,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  On the Road - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  On the Stairs - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  This brand new Ole Ahlberg art print is somewhat more cool and edgy than the previous ones in the form of the gloomy, blurred background and a smoking rock chic in front with a tattoo of Tintin and Captain Haddock in free fall.
  
  Are you looking for a statement piece? Then this art print might just be for you.
  
  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Orange Sky - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Pale Moon - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
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  Palm Beach Baby - Tine Helleshøj

  Width: 60 cm / Height: 83 cm

  EUR 373,00

  In stock

  A new colourful giclée-print from Tine Helleshøj filled with exciting patterns.
  83 x 60 cm
  Edition: 50
  Numbered and signed by the artist
  
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  Paparazzi II - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg has created a universe where the baroque vanitas symbols, such as peeled lemons, hourglasses, unlit candles, and skulls, have been replaced by a more contemporary repertoire. The most obvious difference being between things and people from the “real” world contra comic strip characters. His many scantily-clad women, swans, porcelain objects, and clouds are painted in a very convincing life-like manner while the comic strip characters, mainly taken from Hergés’ Tintin, are painted with a clearly defined outline that makes them appear flat on the canvas. A difference that is almost tangible.
  
  If Ole Ahlberg’s principles of composition have changed, his motifs have essentially stayed the same: it is mostly still about eroticism. Being a very sophisticated artist, he never allows the pictures to become too lewd or carnal in nature, but somehow he finds a way to get the viewer, to a great extent, to create the suggestive stories. Eroticism is usually also just a pretext for political commentary and a deeper epistemological investigation. In this respect Ole Ahlberg prefers the black humor and mysteriousness of Magritte than the theatricality and surrealism of Dalí.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Pericoloso - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Pink Sky II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Plaything III - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Plaything IV - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Playtime - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Promenade Forestiére - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Promenade Forestiére by Ole Ahlberg.
  This beautiful new art print is perfect for spring! Do you also enjoy going for walks and seeing nature flourish? Tintin and Terry seem to do just that.
  
  The print is numbered and signed by Ole Ahlberg
  Sheet size: 61x50 cm
  Framed dimensions: 72x60 cm
  
  
  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  
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  Rainy Day - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Reader's Club (2018) - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Rebel Rebel - Raymond Stuwe (small)

  Width: 50 cm / Height: 75 cm

  EUR 800,00

  In stock

  Portrait of Freddie Mercury. Freddie Mercury, born Farrokh Bulsara on September 5, 1946, in Zanzibar (now part of Tanzania), was a legendary singer, songwriter, and the charismatic frontman of the iconic rock band Queen. Renowned for his extraordinary vocal range, flamboyant stage presence, and captivating performances, Mercury remains one of the most celebrated and influential figures in the history of popular music.
  
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  Red River Rafting - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
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  Reflex - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Representation - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Research - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Resting - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Rock ‘n Roll Spirit (Elvis Presley) - Jules Holland

  Width: 57 / Height: 73

  EUR 547,00

  In stock

  Full size: 73 x 57 cm
  Motif: 60 x 45 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
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  Room 905 - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.
  
  
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  Royal Danish II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Royal Danish III - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
  
  
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  Rune Christensen - Indifference

  Width: / Height:

  EUR 240,00

  In stock
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  Rune Christensen - Plants

  Width: / Height:

  EUR 400,00

  In stock
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  Rune Christensen - Unknown portrait

  Width: / Height:

  EUR 240,00

  In stock
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  Seascape - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Sightseeing V - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Sightseeing VI - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Silent Moon - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Silent Sea - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Sirens - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
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  Skagen - Dreamcity

  Width: 50 cm / Height: 70 cm

  EUR 334,00

  In stock

  An art print full of beautiful colors and patterns!
  
  Dreamcity
  Without frame: 70 x 50 cm
  Numbered and signed by the artist
  
• 

  

  Smoke in the Waitingroom - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  The scene in this new artwork shows Tintin and his dog Snowy placed side by side with rugged sailors in a dimly lit room, while a mysterious woman in a black dress and high heels stands before them, holding a cigarette and a cane. What might have happened before this moment? And what will happen next?
  
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  Smooth Water - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  A soulful and poetic work by Ole Ahlberg, where Tintin is once again placed in a universe that balances between the familiar and the dreamlike.
  
  The motif depicts Tintin alone in a rowboat on calm waters, surrounded by an almost infinite horizon and a sky filled with soft clouds in delicate shades of gray, blue, and golden light. The simple composition and serene colors emphasize a feeling of silence, reflection, and perhaps a touch of melancholy.
  
  The contrast between Tintin’s iconic comic-book style and the painterly, realistic landscape creates a unique and timeless expression. The work invites the viewer to reflect on themes such as solitude, adventure, and the human search for meaning.
  
  A piece with great symbolic power – perfect for collectors of modern art, Ahlberg enthusiasts, and anyone seeking a conversation piece with both tranquility and depth.
  
  
  
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  Soft Paint - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  
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  South Beach Sunset - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
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  South Sea - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Starman’s Indigenous Soul (David Bowie) - Jules Holland

  Width: 57 / Height: 73

  EUR 547,00

  In stock

  Full size: 73 x 57 cm
  Motif: 60 x 45 cm
  Edition: 25
  Numbered and signed by the artist
  Incl. certificate
  
  Embracing the spirit of David Bowie through a unique lens, this artprint reimagines the iconic figure as a Native American. A fusion of cultures and creativity, it’s a tribute to Bowie’s transcendent impact and the richness of indigenous heritage.
  
  David Bowie, born David Robert Jones on January 8, 1947, in London, was an iconic singer, songwriter, actor, and one of the most influential figures in 20th-century popular culture. Bowie was known for his unique ability to reinvent himself and create a range of musical personas that captured the public's imagination and challenged conventions in the music world.
• 

  Starstruck - Ole Ahlberg

  EUR 480,00

  In stock

  Only sold framed (with art glass and a black wooden frame), which is included in the price.
  
  'Starstruck' by Ole Ahlberg
  Without frame: 34 x 30 cm
  With frame: 43 x 40 cm
  Numbered and signed by Ole Ahlberg
  Edition: 125
  
  
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  Strange Days - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Submission - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Television - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  It is, however, also interesting that eroticism in Ole Ahlberg’s paintings is rarely spelled out for you. In one of the best Tintin paintings we see the young journalist incredulously regarding a red space rocket (from “Destination Moon”) placed under the skirt of a beautiful woman. Ole Ahlberg only presents us with a gaping Tintin, a rocket, and a woman’s lower body, thus enticing the observer to become a co-creator by conjuring up the erotic exploit from his/her own subconscious. Here the artist draws on the age-old truth that the most sex-fixated people on earth are the puritans, who can find sexual references in even the most innocent motifs. All because they refuse to acknowledge their own sexual urges. And for exactly that reason Ole Ahlberg has the whole Tintin-group after him with an army of lawyers trying to figure out a way to get the better of this impertinent Dane who is so impudent as to exercise his freedom of artistic expression.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works. hehm.
  
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  The Balcony in Phu Quoc - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Big Catch - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Boat - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Boat II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Boat III - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Day After II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Escape - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Experts - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Fight - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 620,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Girl and the Beast - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
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  The Horse - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Long Way Back - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
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  The Mirror II - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Pool - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Queen - Raymond Stuwe (small)

  Width: 50 cm / Height: 60 cm

  EUR 667,00

  In stock

  In 1952, at the age of just 25 years old, Elizabeth II took the throne. Her reign of 70 years and 214 days was the longest of any British monarch and the longest verified reign of any female head of state in history.
  As a queen, Elisabeth certainly had power, but she also showed strength through her domestic and international leadership; she led the UK through its recovery from World War II, through several economic crises and a pandemic.
  
  Sold with frame which is included in the price.
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  The Red Room - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Rescue - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
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  The Secret - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Spectator - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
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  The String - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Swim - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  The Swim - Ole Ahlberg
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  The Window - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  The Winner - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 620,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Tinder - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
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  Tracks - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock
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  Traveling - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Traveling Light - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Twilight - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  If the toys Ole Ahlberg often places in his pictures are a solid symbol of innocence, then it’s a different matter when it comes to the figure of Tintin, who has become a kind of trademark for the artist. For Tintin is a completely fictitious person. Plus he’s a very special type, one where you don’t find even an inkling of a love life in any of the comics. With the exception of the opera-singing, bosomy Milanese nightingale, Bianca Castafiore, women are by and large missing from Tintin’s universe. Even the heavily drinking and constantly cursing Captain Haddock shies terrifyingly away from Castafiore’s advances, which are more a publicity stunt than a real declaration of love. Ole Ahlberg places this quite unusually virtuous comic strip figure in situations where he is confronted with very corporeal and scantily clad earthy women. With great wonder, or should we say shock, Tintin stares at the forbidden fruit. His facial expressions, often taken from episodes in actual comics, reveal that all this eroticism is completely alien to him. As though it came from another planet. Ole Ahlberg, leaving no room for doubt, emphasizes that Tintin is a fictitious person by depicting him using Herges’ sharp, black contours in contrast to the rest of the paintings clair obscure.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Vertigo - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  View Point - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Violent Intensions - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Waking Up - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Walk in the Park - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Walking the Dog - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  
  
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  When the Boat Comes In - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  White Room - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Wildlife - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.
  
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  Year of the Dragon - Ole Ahlberg

  Width: 50 cm / Height: 61 cm

  EUR 800,00

  In stock

  With this motif, Ole Ahlberg was inspired by Chinese New Year. Each Chinese New Year is linked to a particular animal, and 2024 is the Year of the Dragon. According to Chinese astrology, the dragon is a symbol of strength, luck and prosperity.
  
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  Zona Verte - Ole Ahlberg

  Width: 60 cm / Height: 71 cm

  EUR 880,00

  In stock

  Technically, Ahlberg is in full control, he paints narrowly and precisely to the smallest detail; Nevertheless, Tintin appears perfectly cartoonish and sincere awkward in the adult universe. Ahlberg simply melts two completely different values ​​together without overconstructing it.
  
  Ole Ahlberg's early paintings were formed by the maxim “a picture in a picture in a picture”, like a set of Chinese boxes. But now there is only one central picture surface, one central scene where the action takes place. Thus Ole Ahlberg has abandoned his subtle illusionism in favor of a more “normal” painting. This hasn’t made his pictures any less enigmatic or ambiguous as he concurrently began making use of a one-color background, black or dark blue, like many of the Dutch Baroque still life artists employed. A background that appears even more inscrutable and mysterious in relation to the brightly illuminated objects in the foreground.
  
  Before the popular breakthrough, Ole Ahlberg was best known as (80er) surrealist, and as part of the art association "Pas Partout" he already made strong works at the time - and they were hard to get hold of. Today you have to think and act quickly if you want to own one of the new original works.